PAPERBACK
Brutal
but beautiful
'Consistently compelling' – Review:
President’s Gardens,
by Muhsin Al-Ramli
http://www.heraldscotland.com/arts_ents/15252046._Consistently_compelling______Review__President___s_Gardens__by_Muhsin_Al_Ramli/
Review by: Alastair Mabbott
FOR such a beautiful
novel, The President’s Gardens begins on a gruesome note. A village in Iraq
awakens to find nine banana crates, each containing the severed head of one of
the villagers, some disfigured by torture. To explain how they eventually came
to be there, Muhsin Al-Ramli (in a fine translation from the Arabic by Luke
Leafgren) tells us the story of three boyhood friends, “the sons of the earth
crack”, and of how they fared in the period encompassing the Iran-Iraq War, the
invasion of Kuwait, the purges which re-established Saddam Hussein’s authority
after his military misadventuring and the occupation of Iraq by America and her
allies. In writing about ordinary Iraqis who pay the cost of wars waged by
remote, autocratic leaders, Al-Ramli touches on deep and timeless themes. The
human capacity for both nobility and wanton destruction. Pain and healing. The different shades of love. The
capriciousness of fate.
The sons of the earth
crack were born in 1959, comprising Tariq, who carefully manoeuvres his way
through life to attain modest wealth and influence, Ibrahim, who loses his foot
in the war and is regarded by his daughter as a pathetic loser, and Abdullah,
“the prince of pessimists”, who was held prisoner in Iran for 20 years and
learned that “the cruelty of man is more barbaric than any other creature”.
Tariq doesn’t actually feature that heavily, but his two comrades are
substantial, well-realised creations. The marvellously implacable Abdullah,
nicknamed Kafka by his friends, is detached and withdrawn, but is more decent
than he realises and needs love and tenderness more than he would ever admit.
One strongly sympathises with Ibrahim too, especially after he gets a job in
the titular garden and is forced to participate in acts that would freeze the
blood.
Death is the enemy
here. Not death as the natural conclusion to a life well-lived, but as a
symptom of the cruelty and barbarity of the human race. To defy and resist it,
people turn to each other, enjoying the “rare and special pleasure” of gathering
together over tea, providing support for each other and basking in the warmth
of feeling a part of something greater. Both Abdullah and Ibrahim, in their
separate ways, retreat into the world of the dead and forget their obligations
to the living, but even the last meetings of the sons of the earth crack “would
end with a sense of catharsis, the feeling of a man meeting himself”. Similar
sentiments are expressed by Ibrahim while working in Saddam’s garden: “He
wished there was some way to tenderly embrace one’s soul as though it were
another human being.”
By emphasising the
dark side of humanity, Al-Ramli celebrates the best of us. Within this awful
morass of violence and hatred, there are acts of compassion going on all the
time, everywhere. As uplifting as it is grim, The President’s Garden is a
consistently compelling novel, and it’s a shock to the system to reach, with no
warning, the words “to be continued …” on the final page.
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